Minggu, 23 Oktober 2011

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A step-by-step guide to all the basic-level airbrush techniques used to create a variety of effects.

  • Sales Rank: #1632889 in Books
  • Brand: Brand: North Light Books
  • Published on: 1993-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: .41" h x 8.46" w x 10.98" l, 1.16 pounds
  • Binding: Paperback
  • 128 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

54 of 55 people found the following review helpful.
Fair book but, not for the beginner.
By A Customer
Excellent graphics. Great quality in the physical aspect of the book and the colored graphics contianed in it. But, it definitely does not help the beginner much. It jumps steps and the photographs do not help to decipher what the author is trying to explain. Not for the NOVICE

29 of 33 people found the following review helpful.
This book has inspired to become an airbrush artist!
By A Customer
This book has 22 step-by-step demonstrations of all the basic-level aurbrush techniques! It says what type of airbrushes are used for what type of airbrushing! Picking an air source, airbrsuh, paint, painting surfaces and things you need to get started in both Illustration and T-shirt airbrushing! This is a book I have read 3 or 4 times and every time I read it I find out something new! This is a must for any airbrush artist or artist to be!

10 of 10 people found the following review helpful.
Disappointing
By Ivan Gentilini
As a beginner I feel I almost wasted my money. It actually doesn't tell tou "HOW" to do things, it tells you "DO" this and "DO" that, "DRAW" a line hear... It doesn't explain why they use light colors first in some projects, darker tones first in others (so how do I procede??). Though half of the book is addressed to T-shirt airbrushing, no instructions are given on how to prepare cotton for your paintjob, how to heat-fix the colors...

No instructions at all are given on the most important aspect of double-action airbrushing: dosing the trigger for air and/or color. You always read "draw", "smooth" here, "shade" this. My credit card account shaded... HOW TOs books are supposed to tell you HOW TO DO things, not just tell "ok, now DO this and DO that". Im really aggravated... but it's just a book.

I will PRACTICE the airbrush and look for another guide.

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Jumat, 21 Oktober 2011

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Developed for a range of tissues where the culture environment takes into account the spatial organization of the cells therein, 3D cell culture models serve to bridge the gap between in vivo studies at one extreme with that of simple cell monolayers at the other. In 3D Cell Culture: Methods and Protocols, international experts describe a number of basic and applied methodologies taken from a breadth of scientific and engineering disciplines, many of which deal with direct applications of 3D culture models, most notably in the formation of tissues for clinical purpose. Beginning with an overview of the biological and materials scaffold requirements for successfully creating 3D models, the book delves into topics such as general scaffold design and fabrication techniques, models for bone, skin, cartilage, nerve, bladder, and hair follicles, and chapters on bioreactor design, imaging, and stem cells. Written in the highly successful Methods in Molecular Biology™ series format, chapters include brief introductions to their respective subjects, lists of the necessary materials, step-by-step, readily reproducible laboratory protocols, and notes on troubleshooting and avoiding known pitfalls. Authoritative and cutting-edge, 3D Cell Culture: Methods and Protocols serves as a basic manual for laboratory-based scientists who not only need to have a comprehensive range of techniques contained within a single text but also require techniques described using a standard, convenient format.

  • Sales Rank: #4096015 in Books
  • Published on: 2010-11-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.10" h x 1.00" w x 7.20" l, 1.80 pounds
  • Binding: Hardcover
  • 343 pages

Review

From the reviews:

“This book is an excellent resource to help researchers find practical information to enable them to develop three-dimensional cell culture systems. … anyone who wishes to enter this field should be able to use this book to develop their own bespoke 3D system. In conclusion, I would recommend this book as being very useful to a wide audience … . will be essential for graduate students and postdocs as well as to investigators wishing to expand their work into 3D cell culture and tissue engineering.” (Julian B. Chaudhuri, ChemBioChem, Vol. 12, 2011)

“A necessary book for all who use cell culture. No other words can better tell the reader about this compendium of the most innovative culture techniques we hold to try to reach the ultimate goal of cell culture … . For those who wish to enter the field, some introductory reviews explain the present-day challenges in 3D culture while more detailed protocols talk about bioreactors and agarose constructs.” (Carlo Alberto Redi, European Journal of Histochemistry, Vol. 55, 2011)

From the Back Cover
Developed for a range of tissues where the culture environment takes into account the spatial organization of the cells therein, 3D cell culture models serve to bridge the gap between in vivo studies at one extreme with that of simple cell monolayers at the other. In 3D Cell Culture: Methods and Protocols, international experts describe a number of basic and applied methodologies taken from a breadth of scientific and engineering disciplines, many of which deal with direct applications of 3D culture models, most notably in the formation of tissues for clinical purpose. Beginning with an overview of the biological and materials scaffold requirements for successfully creating 3D models, the book delves into topics such as general scaffold design and fabrication techniques, models for bone, skin, cartilage, nerve, bladder, and hair follicles, and chapters on bioreactor design, imaging, and stem cells. Written in the highly successful Methods in Molecular Biology™ series format, chapters include brief introductions to their respective subjects, lists of the necessary materials, step-by-step, readily reproducible laboratory protocols, and notes on troubleshooting and avoiding known pitfalls. Authoritative and cutting-edge, 3D Cell Culture: Methods and Protocols serves as a basic manual for laboratory-based scientists who not only need to have a comprehensive range of techniques contained within a single text but also require techniques described using a standard, convenient format.

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Rabu, 19 Oktober 2011

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  • Sales Rank: #4021030 in eBooks
  • Published on: 2014-01-01
  • Released on: 2014-06-10
  • Format: Kindle eBook

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Senin, 17 Oktober 2011

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Text for CHE 1320 at Oakland Community College-Organic/Biochemistry

  • Sales Rank: #7954242 in Books
  • Published on: 2013
  • Binding: Paperback

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Selasa, 11 Oktober 2011

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Providing comprehensive coverage of the theoretical bases of metacognition and its applications to educational practice, this compendium of focused and in-depth discussions from leading scholars in the field:

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  • Sales Rank: #2121840 in Books
  • Published on: 2009-06-25
  • Released on: 2009-07-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x 1.05" w x 7.01" l, 1.85 pounds
  • Binding: Paperback
  • 464 pages

About the Author

Douglas J. Hacker is Chair, Department of Teaching and Learning, and Adjunct Professor Department of Educational Psychology, University of Utah

John Dunlosky is Associate Professor, Department of Psychology, Kent State University.

Arthur C. Graesser is Chair, Department of Psychology, and Co-director, The Institute for Intelligent Systems, University of Memphis.

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The Sneaker Hall of Fame: All-Time Favorite Footwear Brands, by Neal Heard

From old-school models to hot new styles, The Sneaker Hall of Fame pays tribute to the cult popularity of this most versatile shoe--the ones with the greatest designs, technology, and cultural cachet. More than 300 photographs tell the story of 20 classics, including the 1923 Converse Chuck Taylor, 1968 Onitsuka Tiger Corsair, 1969 Adidas Superstar, and 1985 Nike Air Jordan. In addition to detailed profiles of the top iconic footwear, there's background on the major brands, including Converse, Fila, New Balance, and Puma.

  • Sales Rank: #2721692 in Books
  • Published on: 2012-03-06
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 8.60" w x 5.50" l, 1.20 pounds
  • Binding: Hardcover
  • 224 pages

About the Author
Neal Heard is an acknowledged sneaker aficionado and vintage dealer who has sourced, collected, and dealt in deadstock trainers since the early 1990s. He lives in Wales, UK.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Book has sole
By Michigan Reviewer
If anyone would have told me I would have enjoyed a book about athletic shoes I would have taken umbrage and considered them somewhat lacking in the gray matter area. How wrong I would have been! This book is a whole lot of fun. And no tongue in cheek here. Fun to reminisce about different athletic shoes by various manufacturers through the ages that most of us have worn or have at least been privy to seeing. The book does focus on the major brands like Nike, Reebok, Adidas, etc., but does also highlight and showcase other manufacturers and models of shoes. Heard is British, so some of the shoes probably were not available on this side of the Atlantic. A few of the shoes I wouldn't mind having now. Yo MTV Raps Big Daddy Kane shoes from Puma! What more could anyone ever ask for? Heard likes his shoes and it shows! Not sure I will cancel my membership in the New Balance owners' forum for Air Jordan 3s on eBay, but............ Fun book. Easy read that is well worth the effort to read.

0 of 0 people found the following review helpful.
Good starting point for an education on sneakers
By Sibelius
A British book from 2003 which would explain its page-count preference for showcasing the likes of Adidas but nonetheless this is a frothy and enthusiastic look at what is Neal Heard's 'All-Time Favorite Footwear Brands' with serviceable showcases of specific models and color-forms. The overall curating is nicely executed with a near perfect text to image ratio and a narrative style fully appropriate to the subject matter.

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Sabtu, 08 Oktober 2011

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Cinema 4D Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (Apprentice Series), by Kent McQuilkin

New to CINEMA 4D and looking for an accessible way to get up to speed quickly? Do you already know the basics of the software but need to know the new features or take your skills and understanding a little deeper? If so, look no further than CINEMA 4D Apprentice, your one-stop shop for learning this powerful application. With guidance that takes you beyond just the button-pushing, author Kent McQuilkin guides you through 10 core lessons, starting with the basics before moving onto more complex techniques and concepts and then tying it all together with a final project.

CINEMA 4D Apprentice walks you through the software with a project-based approach, allowing you to put lessons learned into immediate practice. Best practices and workflows for motion graphics artists that can be applied to any software application are included. A companion website (www.focalpress.com/cw/mcquilkin) features project files and videos of the techniques in action.

Topics covered include:

  • creating basic scenes,
  • modeling, texture mapping
  • mograph in-depth
  • integration with After Effects via CINEWARE
  • lighting, animation, rendering and more
  • motion tracking with the new tools included in R16

  • Sales Rank: #198293 in Books
  • Published on: 2015-05-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x .90" w x 8.50" l, .0 pounds
  • Binding: Paperback
  • 422 pages

Review

“If you’re an aspiring 3D motion graphics artist, Cinema 4D Apprentice should be your first resource to get started. Kent does an incredibly thorough job of covering the essentials in a clear and concise manner. Inside this book is the knowledge motion designers need to succeed in a production environment.”-Paul Babb, President/CEO at MAXON Computer, Inc.

“CINEMA 4D Apprentice gets you up and running quickly. Having a resource that is easy to reference is important when tackling a program that has the breadth and scope of MAXON CINEMA 4D’s R16. Kent McQuilkin does an excellent job of keeping you on track with enough to help you find your footing as you begin to design and animate in 3D.” -Ko Maruyama, CreativeMac

"This book is a very comprehensive teaching aid for any 3D Motion Graphics Artist about to use, or is struggling with, the Maxon Cinema 4D combined with Adobe After Effects software packages... I don't earn my living as a Graphics Artist - but the book explains each step so clearly and I was so thoroughly intrigued that I couldn't put it down, flicking back and forth to check explanations in previous lessons which I'd skipped over but really needed to understand - I was thoroughly hooked! Definitely a 'must-have' for everyone who works in this area of production." - Wendy Laybourn FBKS - Network Nine

About the Author

Kent McQuilkin is an award-winning animation producer, college instructor, 3D designer and consultant for broadcast studios. Kent has been a user of CINEMA 4D for over a decade and has used it to produce films, television spots, product labels, product previsualizations as well as theme park and holographic theatrical productions. Much of his work and information can be found at www.mcq3d.com.

Most helpful customer reviews

7 of 8 people found the following review helpful.
Disappointing.
By CKH
This is probably the harshest review I've ever left, which is a shame. I've just bumped into the world of C4d, and for me these traditional print books that start you at square one and work you through the basic tools and exercises to get familiar with the interface and workflow have always been great. I of course hop around on tutorials online for various things, but the hard reality for me and probably many others is that a program this complex really takes walking through the basic building blocks of the software. I've had great success using this type of literature for most adobe software. This is my first foray into a 3d program, so this seemed like a logical first step.

Now, I'm a graphic designer, so some of the comments here might seem extreme to you but I can assure you they aren't. The number one reason a book like this exists is to provide us with clear, concise, well documented and clearly presented information that lets us comfortably follow through tutorials that while difficult have been expertly prepared for us. That is why I paid over $50 for this book.

First impression, the book is larger than most I've seen of this type and the pages are filled with dense text as opposed to visual examples. Bottom line, the author's writing style is verbose and sort of like telling you a story. While this could be nice in some settings, it's terrible here. The pre-roll section of the book is rushed in terms of helpful explanation, and could have spared us pages of content through intelligent layout choices. Rather than giving us a story like explanation of tools, bouncing from one tool to the next within the same paragraph, bullet points with image illustrations in a strictly followed regiment of tool-by-tool information would be greatly beneficial and preferable. This kind of book doesn't need to read like a technical manual dry from top to bottom, I like a nice instructor voicing, but we lost our way on this one.

Also, one the online companion site, the entire preroll section is missing as a folder. Basically, if you were interested in following the example as stated on the last line of page 21, "Check out this sign in the Pre-Roll assets folder. It is named align_to_spline.c4d" you're out of luck, because they don't seem to exist. Also, generally speaking, video companions to books would be much more accurate and useful if they presented you with either the same materials you are working on at that time in the book, or something very similar requiring a subtle but user-initiated leap towards applying the learned principles in a slightly new fashion from what they are learning in the book. Still, we really just want to follow the example we are reading to get a better grasp for how these things should be looking, working, etc.

The images are atrociously small. Whoever laid out this book is a maniac. I'm not pushing 90 with bifocals here, either. This type of resource needs large images with intelligent use of focus to let users known exactly where we should be looking on the interface you have screenshot for us. Rather than hoping we will find the right place in your tiny, 2 inch image covered in cm sized selection boxes, perhaps give us a hint? Use shadowing, or colored selections. Really just terrible here.

The first project chapter starts to at least warm us with better guidance, but I ran into the same sloppy writing and poor direction (the sole reason for this book to exist is for exceptional direction.) in the first examples. The author expects us to be able to follow along with him as if we were watching his overhead projector move the mouse for us, and we would do the same alongside him. This is simply not the case, and there needs to really be an exacting didactic accounting of where we are going, what clicks it takes to get there, all the basics of a good written/visual instructional dialog. For instance, the first assignment is a teacup project. Early on, I ran across this gem.

"to see how this shape is going to progress, switch to Model mode and with the cube selected (wait... what is Model mode with a capital M again? where should I be clicking? We are novices.) add a subdivision surface to the scene."

No example of where these tools are, just the expectation that the user now intimately knows the interface and recalls where a subdivision surface lives in the UI. Now, I like having to learn it a bit and thus know it better by having found it myself, but this is a pretty poor approach to writing a tutorial. The next stage of this tutorial has use scaling down a piece of a shape that has been inner-extruded to change the shape of a cube into a tapered cup shape, big at the top, small at the bottom. In the images accompanying the book, the rounded cup shape magically becomes a beautiful taper at the bottom. However, it was only by inspecting his images closely and googling did I realize that he had in fact switched tools to select only the points, not the planes of the shape. Also, he had used what appears to be another tool entirely ,and never before mentioned, the lathe tool, to add a cut shearing clear through the bottom of the cup in order to accomplish a squared bottom as opposed to a rounded one similar to a hanging water balloon. How on earth could this kind of thing be acceptable in a tutorial book?

Does anyone even really care if we are learning the basics or did the publishers and author pretty much throw up their hands and say "ah, well there's not much money left in these these days anyway, everybody just uses free online tutorials."

Yeah, no kidding! At least we can follow along!

Before we really have any idea what we are doing or what this means, he throws in, "In our case, we want a cup that is more squared or we would just build this using a spline and lathe NURBS combination." Wait... so there was a lathe in here? Is that what you screenshot for us on this tea cup taper? Where am I? Where's the light switch? I don't know my name.

It's great to throw in that comment so people who know what they are doing can nod and go, "Oh yeah of course we would do that and use the spline and lathe NURBS, but this is for a tutorial for people who don't know anything." But THOSE PEOPLE DON'T NEED YOUR BOOK so why am I reading it on the 4th page of the first tutorial I've ever seen from you?

All in all, just really poorly planned and poorly executed. Seems as though it was culled from class notes and presentations and while it's nice to have a book like this for this software, frankly paying somewhere else to learn this stuff, maybe GreyScaleGorilla or something, would probably be much more efficient.

I may update this review once I get through the entire book. I'm sure that comment could cause so tsk tsk, but I've done plenty of these types of books and ouch... this one is a doozy. I can get through it, but it could do with some intelligent design, editing, and layout choices. Also, the entire ethos behind putting a book like this out could use some polish. If you're going to put it out, put it out right.

3 of 3 people found the following review helpful.
It is a great resource for begginers like me
By ccv
Really helpful for begginers. The book includes all you need to know to get started with CG and C4D and gives clear examples and guidelines to make it easier to understand. It has well-written instructions that are clear and that teach you the theory and technique instead of teaching just how to do some specific things.
It is a great resource for begginers like me. I trully recommend it.

1 of 1 people found the following review helpful.
Missed Opportunity
By F. Anderson
Alas, this book was shipped before the editor finished their job. There are some good points as the author covers some important features of Cinema 4D, but the editing is sloppy, the screen shots too small to read and the examples very often are missing a critical step or two.

There is a crying need for good Cinema 4D training materials but sadly this one doesn't step up to the plate.

Solution?

1. Proof read the material before printing
2. User testing to make sure the examples work
3. Bigger screen shots that are readable
4. Don't assume that the reader knows where to find things
5. Don't be in a hurry

See all 5 customer reviews...

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Kamis, 06 Oktober 2011

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Learn to Draw Lilo & Stitch (DMA LearntoDraw Books), by Annie Auerbach, Lori Heiss

Disney's Lilo & Stitch has it all: adventure, imagination, humor, and heart. And now fans can learn to re-create the fun, out-of-this-world characters from this classic tale about an adorable and spirited 5-year-old Hawaiian girl and her best friend Stitch, a funny-looking dog (who's really a one-of-a-kind alien). The book provides step-by-step instructions for drawing these animated film characters in a variety of moods and poses. This easy-to-follow guide proves just how exciting the world of cartooning can be!

  • Sales Rank: #235718 in Books
  • Brand: Walter Foster
  • Published on: 2003-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .6" w x 8.50" l, .30 pounds
  • Binding: Paperback
  • 32 pages

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Charlena Gie
I love to draw this is perfect for my collection.

0 of 0 people found the following review helpful.
Good how to draw book
By Virginia V.
Fast delivery. Has interesting facts and easy to read. Has easy instructions on how to draw Lilo and Stitch.

0 of 0 people found the following review helpful.
Lilo and Stitch is my favorite movie and this little book is a great tool ...
By Jennifer L. Polk
Lilo and Stitch is my favorite movie and this little book is a great tool for learning to draw the characters, whether you are 5 or 45!

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Sabtu, 01 Oktober 2011

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[ CFO Techniques: A Hands-On Guide to Keeping Your Business Solvent and Successful BY Guzik, Marina ( Author ) ] { Paperback } 2011

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[ CFO Techniques: A Hands-On Guide to Keeping Your Business Solvent and Successful BY Guzik, Marina ( Author ) ] { Paperback } 2011, by Ma PDF
[ CFO Techniques: A Hands-On Guide to Keeping Your Business Solvent and Successful BY Guzik, Marina ( Author ) ] { Paperback } 2011, by Ma EPub
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[ CFO Techniques: A Hands-On Guide to Keeping Your Business Solvent and Successful BY Guzik, Marina ( Author ) ] { Paperback } 2011, by Ma rtf
[ CFO Techniques: A Hands-On Guide to Keeping Your Business Solvent and Successful BY Guzik, Marina ( Author ) ] { Paperback } 2011, by Ma Mobipocket
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