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On Poetry, by Glyn Maxwell
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"This is a book for anyone," Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, "With rhyme what matters is the distance between rhymes" or "the line-break is punctuation," he compresses into simple, memorable phrases a great deal of practical wisdom.
In seven chapters whose weird, gnomic titles announce the singularity of the book--"White," "Black," "Form," "Pulse," "Chime," "Space," and "Time"--the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture. "The sound of form in poetry descended from song, molded by breath, is the sound of that creature yearning to leave a mark. The meter says tick-tock. The rhyme says remember. The whiteness says alone," Maxwell writes. To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets.
"You master form you master time," Maxwell says. In this guide to the most ancient and sublime of the realms of literature, Maxwell shares his mastery with us.
- Sales Rank: #163393 in Books
- Brand: Maxwell, Glyn
- Published on: 2013-10-14
- Original language: English
- Number of items: 1
- Dimensions: 8.75" h x 6.00" w x .75" l, .70 pounds
- Binding: Hardcover
- 176 pages
Most helpful customer reviews
2 of 2 people found the following review helpful.
Brilliant, funny poet's bible
By constantine
It changed the way I thought
And slightly changed my life
It dazzled me with form
And set my wrongs to right
10 of 16 people found the following review helpful.
Hmmmm
By 99
I bought this because it was popping up a lot of places including the LRB who sponsored a reading at their bookstore. And I was in the mood a fresh approach to poetry ... and I got fresh and stale. I can't precisely locate the odd combination of conservative commonsense and the provacative ellipsis ... over the length of this short book the conservative undercurrent became more pronounced and irritating, not because he was arguing the old test-of-time aesthetic, but more because of what was left out. After reading this book I picked up a biography of the New York School to refesh my sense of the real and slyly radical work taht can be done in poetry ... Maxwell focuses too much in the Modern break of WWI and the subsequent the effort to tie 20th century poetry back to tradition felt unbalanced ... yes, the connective points are good and well, but the breaking is more important and oddly a kind of tradition in itself and it gets short shrift .... this was the kind of a book that made me feel the frustration of one way media ... lots of interesting moments and funny takes on the creative writing classes he teaches. Definately something here, but also a lot missing for me.
3 of 5 people found the following review helpful.
If you want to be a poet and know nothing about it, don't read this book!
By Chandra Vega
I learned prosody from Yvor Winters, and I am not at all sure that Mr. Maxwell really understands iambic pentameter and its variations, permissible or not. If you already are knowledgeable about poetry, don't bother reading this book. And if you are a beginner, don't try to learn from this book. The chapter on theater did have some interest.
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